"Like every major artist she challenges the reader's intellect and imagination."—Boston HeraldSelected Poems, the first selection to encompass the rich diversity of Hilda Doolittle's poetry, is both confirmation and celebration of her long-overdue inclusion in the modernist canon. With both the general reader and the student in mind, editor Louis L. Martz of Yale University (who also edited H.D.'s Collected Poems 1912-1944) has provided generous examples of H.D.'s work. From her early "Imagist" period, through the "lost" poems of the thirties where H.D. discovered her unique creative voice, to the great prophetic poems of the war years combined in Trilogy, the selection triumphantly concludes with portions of the late sequences Helen in Egypt and Hermetic Definition which focus on rebirth, reconciliation, and the reunion of the divided self.

These two long stories by modernist master H.D. paint the wreckage of post-World War I Europe—both human and civilizational—in bright, vivid detail.Written by H. D. in 1930 and only published in a 100-copy edition for friends in 1934, Kora and Ka marked a new level of intensity in the poet's experiments with prose fiction. The two long stories contained in this volume, Kora and Ka and Mira-Mare, are at once profoundly autobiographical yet, through H. D.'s unusual brand of modernist story-telling, pushed beyond personality. The men and women who haunt these tales are wraiths in spiritual exile, wanderers in a Europe still recovering from the devastations of World War I. Her descriptions of the beaches at Monte Carlo are triumphs of vivid detail - bright watercolors set against brooding psychological portraits. In its exploration of the broken dualities of self and civilization, Kora and Ka looks forward to H. D.'s masterpieces, Tribute to Freud and Trilogy.

"H. D's wit, sense of rhythm, and control of language prove the inadequacy of the imagist label that is so often applied to this writer." —Library JournalThis autobiographical novel, an interior self-portrait of the poet H. D. (1886-1961) is what can best be described as a "find,' a posthumous treasure. In writing HERmione, H.D. returned to a year in her life that was "peculiarly blighted." She was in her early twenties––"a disappointment to her father, an odd duckling to her mother, an importunate, overgrown, unincarnated entity that had no place... Waves to fight against, to fight against alone...'I am Hermione Gart, a failure'––she cried in her dementia, 'l am Her, Her, Her."' She had failed at Bryn Mawr, she felt hemmed in by her family, she did not yet know what she was going to do with her life. The return from Europe of the wild-haired George Lowndes (Ezra Pound) expanded her horizons but threatened her sense of self. An intense new...