A story of war, politics, intrigue, deception, and survival, Savages is a hugely ambitious, convincingly detailed novel that is impossible to set aside.

"Why are we fighting this war? Because evil must be resisted, and sooner or later there comes a time when men of principle have to make a stand. Because war is good for business and it's better to die on our feet than live on our knees. Because they started it. But at this stage in the proceedings," he added, with a slightly lop-sided grin, "mostly from force of habit." A soldier with a gift for archery. A woman who kills without care. Two brothers, both unbeatable generals, now fighting for opposing armies. No one in the vast and once glorious United Empire remains untouched by the rift between East and West, and the war has been fought for as long as anyone can remember. Some still survive who know how it was started, but no one knows how it will end. This serial novel from the World Fantasy Award winning K. J. Parker is the story of a war on a grand scale, told through the eyes of its soldiers, politicians, victims and heroes. The first three parts of...

Civitas Vadanis is in trouble. The Mezentines have declared war; and the Mezentines are very focused on their goals when it comes to killing. Duke Valens, of Civitas Vadanis, has a dilemma. He knows that his city cannot withstand the invading army; yet its walls are his only defence against the Mezentines. Perhaps the only way to save his people is to flee, but that will not be easy either. Ziani Vaatzes, an engineer exiled by the Mezentines for his abominable creations, has already proven that he can defend a city. But Ziani Vaatzes has his own concerns, and the fate of Civitas Vadanis may not be one of them."Intelligent and compassionate?it should be celebrated." ?Interzone on Devices and Desires"One of the most entertaining fantasy debuts in recent years? incredibly vivid, refreshing, fun, thoughtful, absorbing."--SFX

The Company by KJ Parker Published by Orbit UK, October 2008 448 Pages So: the war’s over, the soldiers return home – what happens next? K J Parker’s latest standalone novel examines such a situation, not often looked at but one clearly relevant in a Fantasy world: what happens to soldiers after the fighting is over? The basic story here (though to be fair, KJ’s stories are rarely basic) deals with a company of men, skilled in their wartime efforts, who all (or nearly all) have gone back to their homes and their civilian lives. As you might expect, life outside the army is quite different. The impression given here is that after the war, despite the company’s heroism, non-combatants either know little or are unimpressed now that things are returning to normal seven years after. There is a return to the relative simplicity of civilian life and the mundane actions of small village communities. Bravery counts for little. One of those returning, admittedly later than some of the others in this tale, is recently-retired Colonel (or at times General) Teuche Kunessin, commander of A Company. He has plans. Having leased the island of Sphoe upon his decommissioning, he plans to use the abandoned facilities there and create his own colony with all of his ex-comrades-in-arms. He returns to the village of his birth to recruit his compatriots – cattle farmer Kudei Gaion, defence school teacher Thouridos (nicknamed ‘Fly’) Alces, shopkeeper Aidi Proaipsen and tanner Muri Achaiois - and make good on a promise they made when in the army. His compadres, realising the strength of the bonds of wartime friendship, rather conveniently drop everything, sell up, buy resources and get hitched in order to make their future life of self-sufficiency a reality. Unfortunately, despite Colonel Kunessin’s reputation for being methodical and meticulous, (and being a KJ Parker novel) things do not go as planned. This is KJ Parker’s first standalone. For those who found The Engineer Trilogy too long and slow, this might be a better option. It has many of those signature touches of Parker – the slow delivery, the detached narrative, the details of how to make and build things, which this one does. It wouldn’t be a KJ Parker story unless it told us of such activities as how to build a boat, rebuild burnt-down buildings, go panning in a river, build cranes, herd cattle and smelt metal. As ever, KJ’s tale is an education as well as an entertainment, which can, in equal measures, intrigue and annoy. It also has that slow, yet painstaking, unravelling of a dark tale which KJ has achieved so well in previous books. Again, here it starts slowly but builds cleverly to its conclusion. It is an unsettling story, one which deals with the basest of human actions rather than holds the moral high ground. To some extent the novel subverts the usual Fantasy clichés to suggest some enigmatic ideas that may make the unwary reader uncomfortable. Strangely, despite initial appearances, it is not a tale of heroism, though the protagonists are wartime ‘heroes’. Instead, being KJ Parker at the author’s most cynical, it deals more with the darker values of avarice, greed, snobbery, deception, murder, adultery and cowardice. Though it tells tales of bravery it is more about survival, both in wartime and peacetime. We also see here another recurrent theme in Parker’s books, that of the importance of gender in this quasi-agrarian situation. There are very different roles for the sexes here, with wives that are bought and relationships are forged in a variety of logical yet rationally unemotional ways. The two are not always compatible. Without giving plot revelations away, their interactions and positions in this micro-society are an important part of this novel and Parker emphasises here how and why those differences between the soldiers and the soldier’s wives are important. On the SFFWorld forums I’ve précis’ed the book as ‘imagine Lost meets The Italian Job’. At its simplest, it is a survivalist tale combined with a meticulously designed if not executed crime caper. Not all is what it appears to be and much of the fun is watching unexpected things unfold. Though not as extraordinary as some might suggest, it is a very good book, though Parker’s singular worldview may not be for all. As has been said at times of Parker’s previous work, it is a bitter, dark, cynical tale, yet also a masterfully planned and executed book, one that builds on ever-revealing characterisation and back-story, leading slowly yet inexorably to its final conclusion. Many readers may not like the ending, and although you may not feel happy about it, it is, like Parker’s previous efforts, knowingly and coldly logical.

World Fantasy Award winner K. J. Parker's newest novella Mightier than the Sword presents itself as a translated oddity of a document called Concerning the Monasteries. But in true Parker style, this novella is instead a sprightly, riveting tale that reveals secret upon secret, building to an ending at once perfect and perfectly unpredictable.

If you visit the Temple and ask nicely for forgiveness, you might get it - assuming you aren't Lord Archias and you haven't killed the Goddess's favorite musician, Lysippus. But even goddesses are expected to follow certain rules, and as much as she wants to punish Lord Archias it seems her troublesome, all-powerful father forbids it. So the Goddess will just have to get around that by forgiving Lord Archias if he can manage some simple - or, rather, seemingly impossible - tasks. A Goddess has to do what a goddess has to do. And in World Fantasy Award winner K.J. Parker's sharply inventive new novella Downfall of the Gods that means everything from soothing supernatural egos to accompanying the argumentative Lord Archias on an epic quest to save his soul... and get her own way. As the Goddess and her mortal charge make their way across the world to the Land of the Dead, a host of divine surprises await them. Could what they find at the end be the downfall of the gods themselves? Only time will tell. This is a story Parker fans won't want to miss.  

K.J. Parker‘s SHADOW began a ground-breaking new series that takes fantasy into remarkable new territory. Now, with PATTERN, the extraordinary story of Poldarn takes a new shape. In a world he does not know, Poldarn‘s future is uncertain. Pursued by invisible enemies, and haunted by the demons of his past, nobody can be trusted - not even himself, it seems. Attempting to piece together his own life from whatever scattered fragments he can find and dreams that hide as much as they reveal has brought him nothing but trouble. Now all he craves is peace. But will he find it on the island he believes to be his childhood home? Or will this place hold more terrors for him to confront?

After years spent in the saps under the defenses of the apparently impregnable city of Ap’Iscatoy, Bardas Loredan, sometimes fencer-at-law and betrayed defender of the famed Triple City, is suddenly hero of the Empire. His reward is a boring administrative job in a backwater, watching armor tested to destruction in the Proof House. But the fall of Ap’Iscatoy has opened up unexpected possibilities for the expansion of the Empire into the land of the Plains people, and Bardas Loredan is the one man Temrai the Great, King of the Plains tribes, fears the most. The Proof House is the gripping, hugely entertaining conclusion of K.J. Parker’s Fencer Trilogy.Review“One of the most entertaining fantasy debuts in recent years… incredibly vivid, refreshing, fun, thoughtful, absorbing.” -- SFXFrom the PublisherThese action–packed tales of magic, intrigue, and revenge introduce a remarkable new voice in fantasy fiction.